A hypothesis is suggested as to the affiliation of its sources. Its two witnesses (manuscript and incunabulum) are compared, and their many divergences signalled. poetic piece, La coronación de Nuestra Señora, by an almost unknown author: Fernán Ruiz de Sevilla. Natalia Mangas offers a study of a little-known 15-c. In this case, four related Castilian ballad chap-books are analysed in their materiality, and two independent transmission series established, in the process revealing valuable lessons on early-printing uses. Mario Garvin’s piece centres on one of our favourite areas: the materiality of texts. Sebastià Giralt‘s study and edition of Bartomeu de Tresbens’ Tractat de les interrogacions, dedicated to king Pere the Ceremonious, unearths this significant question-and-answer piece, highlighting the importance medieval astrology had on political decisions. and then characterises its most important work: Joan Basset’s Lletovari. This will change the way in which social reception of literature has been understood.Īlba Romanyà‘s work systematises, defines a medieval Catalan genre: the literary electuary, inventories its titles. Cifuentes offers his results in multiple charts. Lluís Cifuentes‘ groundbreaking article surveys the significant presence of literature amongst the medieval Crown of Aragon’s artisans, outside of elite and court circles, and proves the active role played by artisans as consumers (readers, owners, copyists) of literature. Roger Boase comes back to Magnificat CLM, publishing a study on the traces of María de Velasco –that interesting medieval figure, stepmother of Ignatius Loyola– on several works in Castilian: in Florencia Pinar’s card game Juego trobado, in the Carajicomedia, and, surprisingly, in Miguel de Cervantes’ La novela del licenciado Vidriera. Volume 8 presents ten excellent articles:įaithful to our interest in promoting digital tools for medievalists, we publish Marta Materni‘s study and comment on different philological problems in the use of the Text Encoding Initiative Guidelines for medieval editions, and presents divergent solutions undertaken by numerous digital projects. We’ve just published volume 8 of our yearbook Magnificat Cultura i Literatura Medievals.Ģ021 has been another intense year for our journal, with a considerable growth in submissions.
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